2025届浙江省君兮协作联盟高三下学期4月教学质量检测英语试题（无答案）

届浙江省君兮协作联盟高三下学期月教学质量检测英语20254试题学校:姓名班级考号

一、阅读理解Arcaea vsCHUNITHM-Cross Axis:Collaboration AnalysisIntroductionto theGamesArcaea is a popular3D rhythmgame knownfor itsdynamic trackdesign,dual-button mechanics,and arich storylineintertwined withfragmented memories.Players tap,hold,and slideto thebeat ofelectronicand classicaltracks.CHUNITHM,developed bySEGA,is anarcade rhythmgame featuringavertical touchpanel andair motions.It boastsa vastlibrary ofsongs acrossgenres,from animethemesto originalcompositions.Both gamesemphasize skill-based gameplayand havepassionate globalcommunities.RulesArcaea and CHUNITHM standhead-to-head in a neverbefore seencrossover:Arcaea vsCHUNITHM-Cross Axis!Join theduel byplaying theapplicable songsin Arcaea or CHUNITHMto contribute34is likea horsewithout hooves.Now whenI teachthis song,I alwaysbegin withgrassland

21.A.editing B・browsing C.recording D.translating

22.A.mechanical B・galloping C.monotonous D.whispering

23.A.write B.master C.translate D.compose

24.A.preserve B.imagine C.challenge D.reject

25.A.ancient B.ritual C.commercial D.digital

26.A.conflict B.coexistence C.comparison D.experimentD.humorously

27.A.seriously B.literally C.casuallyD.passively

28.A.fiercely B,rarely C.selfishlyD.sweeping

29.A.robotic B.subtle C.aggressiveD.formally

30.A.perfectly B,timidly C.passionatelyD.silence

31.A.applause B,criticism C.confusionD.distance

32.A.complexity B.neutrality C.resonanceD.selling

33.A.memorizing B.creating C.criticizingD.instruments

34.A.lyrics B.soul C.rhythmD.shortcuts

35.A.trends B.soil C,theoriesgeography andnomadic values,for trueunderstanding requiresrooting incultural35

四、未知阅读下面短文，在空白处填入个适当的单词或括号内单词的正确形式1Interdisciplinary challengesemerge asthawing permafrostredefines climateaccountability,literary masterpiecesbridge temporaland culturaldivides throughphilosophical depth,and algorithmicopacityforces ethicalreckonings withcorporate power——each demandingrigorous scrutinyofentrenched systems.Passage1:一It isprecisely thisinterplay betweenmicrobial activityand atmosphericchemistry aprocess36overlook inearly climatesimulations-that nowleads scientiststo reconsider,with growingurgency,37减缓策略traditional mitigationstrategies caneffectively counteractthe methaneemissions38release fromthawing Siberianpermafrost,39layers ofice-rich soilhave remainedfrozen formillennia.Passage2一The narrativecomplexity of*Dream of the RedChamber*a novel40intricate psychologicalportrayalsrival thosein Prousfs*In Searchof LostTime*-lies notin itsplot twists,41be theyever sodramatic,but inits abilityto embed,within themundane detailsof QingDynasty aristocracy,写philosophical reflections42resonate asprofoundly todayas whenCao Xueqinfirst pennedthem作over twocenturies ago.Passage3:That analgorithms decision-making process,43obscure asit may seem to the averageuser,should besubjected toethical scrutinyis aproposition44tech giantsreluctantly acknowledge-not outofgenuine concern,critics argue,but becausethe alternative,45_reveal theirdata exploitationpractices,would jeopardizepublic trustessential to their trillion-dollar valuations.

五、书信写作假设你校英文报正在举办征文比赛，请以为题,结合个

46.“When FeelingConflicts withThinking”人经历或社会现象，论述情感与理智在人生重大选择中的作用具体要求分析情感与理智各自的优势与局限；

1.举例说明二者如何平衡

2.注意写作词数应为个左右；

1.80请按如下格式在答题卡的相应位置作答

2.

六、未知.阅读下面材料，根据其内容和所给段落开头语续写两段，使之构成一篇完整的短文47The afternoonsunlight streamedthrough laboratorywindows asEmily andLiam adjustedtheirsafety goggles.Their chemistryteacher Mr.Wilson hadchallenged theclass todesign anoriginalexperiment exploringreaction rates-a frequenttopic inrecent nationalcollege entranceexams.“Lets testhow catalyst（催化剂）concentration affectshydrogen peroxidedecomposition,nLiamsuggested,arranging testtubes containingdifferent manganesedioxide concentrations.Emily carefullymeasured10ml Hand Ofor eachtrial,her labnotebook opento aneatly drawndata table.22During theirthird trial,something unexpectedoccurred.The reactionin Tube C suddenlyacceleratedviolently,spewing foamybubbles overthe bench.The

0.5%catalyst solutionshouldntcause this!*Emily exclaimed,grabbing papertowels.Liam checkedtheir labelsand froze-theydaccidentally used5%concentration inTubeC.Mr.Wilson approached,observing theirflustered cleanup.Mistakes can be valuableif analyzedproperly.Document everythingyouve observed.1His wordsreminded Emilyof lastyears Gaokaoquestionabout experimentalerror analysis.Reviewing theirnotes,Liam noticedinconsistent timingrecords.We rushedthe measurementsafterthe firstsuccessful trials/he admitted.Emily bither lip,recalling textbookprinciples aboutcontrolledvariables.The clockshowed only25minutes remainingin class.“We needto restartsystematically,H Emilydeclared.They preparedfresh solutions,triple-checking concentrations.As Liamstarted thestopwatch,Emily positionedthe gascollection tubeprecisely.The revisedexperiment proceededsmoothly until...续写词数应为左右；

1.150请按如下格式在答题卡的相应位置作答

2.Paragraph1:Just as the gasvolume reached25ml in the finaltrial,the classroomlights flickeredand wentout,casting theirworkstation intosemi-darkness.Paragraph2:Three dayslater,Emily stoodbefore theclass presentingtheir findings,her fingertremblingslightly asshe clickedto the final PowerPointslide titledUnexpected Discoveries.一toward therespective gauges!Obtain in-game rewardsonce bothgauges reach100%and unlockthecollaboration song and characterrevealed at“KING ofPerformai The6th”！Additionally,further in-game rewardscanbeobtained inArcaeaorCHUNITHM depending onwhich gauge reaches100%first!How toparticipate inArcaea

1.Enter thelimited timeevent chapterin World Mode.

2.Complete songsin theMap to contribute to the progress of theArcaea gauge.

3.Those whoparticipate in the eventwill receive25Ether Dropsonce both sides reach100%.Ifthe Arcaeagauge reaches100%first,100Ether Dropswill begranted instead!*The songreward inArcaea will be addedto the CHUNITHM Collaboration Chapter4PackAppendHow toparticipate inCHUNITHM

1.Play anyexchanged songor songfeatured inboth Arcaea and CHUNITHM.

2.Complete songstocontribute totheprogressof theCHUNITHMgauge.

3.Those whoparticipate willreceive1Penguin chick statue oncebothsidesreach100%.If theCHUNITHMgaugereaches100%first,1Penguin statuewillbegranted instead!*The songand characterunlock mapwill openthe dayafter bothgauges reach100%.

1.Conditional RewardAnalysis:What wouldhappen ifboth theArcaeaandCHUNITHM gaugesreach100%simultaneouslyA.Players receiveboth thePenguin statueand100Ether Drops.B.Arcaea players get25Ether Drops,andCHUNITHMplayersgeta Penguinchickstatue.C.The collaborationsong isunlocked immediately.D,The event chapter closespermanently.

2.Which of the followingis requiredfor CHUNITHMplayers tocontributetotheir gaugeA.Purchasing theCollaborationChapter4Pack AppendB.Playing songsexclusive toArcaeaC.Completing songsfeatured inboth gamesor exchangedsongsD.Entering theWorldModeeventchapter

3.Why doesthe articlemention theKING ofPerforma!The6th eventA.To criticizethe eventslack oforiginality.B.To emphasizethe exclusivityofthecollaboration rewards.C.To explain the originofthesongandcharacter design.D.To compareit withprevious collaborations.The leatherjacket isage-won andsoft.I foundit bangingin thewindow ofa shopin Brighton,England.I was there todeliver atalk onmodem womenswriting atan internationalconference,a PhDstudenteager tomake aname forherself andwaiting forher lifeto start.I hadjust turned

28.（雄心），Im stillclosely connectedto thatwoman,her dreamsand herambition althoughshealso frightensme.She was always quitedetermined,this leatherjacket woman—she hada five-yearplan andwas stickingto it!This wasthe womanwho couldntfind timeto visither grandmother,whoregularly missedher niecesand nephews9birthday parties,and wholeft anddidnt lookback.She andI areone andthe same,but weare alsovery different.There was a changethat happenedafew yearsinto thefive-year plan.Each timeone goalpost wasreached,another took its place.This isthepattern ofthe overlyambitious.I startedto doubtwhether itwould resultin anyreal successother（坚定不移的）than anunwavering abilityto giveup everythingelse alongthe way.My determinationwavered.I realizedI didntwant thesame thingsanymore.The jacketmoved tothe backofthewardrobe（衣橱）.Seven yearslater,as Istand infront ofmy wardrobefilled withuseless clothes,I dontknow whattodo withthe jacket.When Englandscold spreadto mybones yearsearlier,the jackethad feltlike apracticalthing Ibought.Here inAustralias sunshine,it alwaysfelt alittle silly.I letit fallheavily on thebed alongsidethe otherclothes Ivedecided to give awaybecause theyno longermake thecut.Yet,despite itsuselessness andhow muchspace ittakes up,at thelast momentI returnthe leatherjackettothewardrobe.I thinkit willalways standfbr apart ofmyself thatIm notquite willingtogiveupforever——that ambitious,motivated woman.

4.Why didthe authorgo toBrightonA.To givea publiclecture.B.To gowindow shopping.C.To studyasaPhD student.D.To starther newlife.

5.What doesthe authormainly tellus inparagraph2A.Her tastein clothing.B.Her originaldreams.C・Her characterin herlate

20.D.Her familyrelationships.

6.What happenedtothe author inparagraph3A,She wasproud ofher success.B.She startedlosing ambition.C.She caredless aboutdressing.D.She seldomdoubted herplan.

7.Why didtheauthorkeep thejacketA.To encourageother women.B.To treasureher realself.C.To helpher keepwarm.D.To helpher setgoals.Post-Practice ImprovementPPI:The Keyto MaximizingMusical ProgressThereisalimit tohow muchimprovement youcan achieveduring a single practicesessionbecause improvementoccurs intwo ways.The firstis immediate improvement,which comesfromlearning notesand motionswhen youalready possessthe techniqueto playa passage.The secondisPost-Practice ImprovementPPI,a slowerprocess drivenby physiologicalchanges asyou acquirenewtechnique.PPI occursover weeksor monthsand involvesthe growthof nerveand musclecells.When practicing,gauge your progress andstop whendiminishing returnsset in,typically within10minutes.After agood practice,your techniquewill improvefor severaldays,even withoutfurtherpractice.If youpractice correctly,you shouldnotice betterperformance thenext day.While theeffect ofonedays PPImayseemminor,its cumulativeimpact overmonths oryears canbe transformative.Practicing multiplepieces simultaneouslyis moreeffective thanover-practicing onepiece,asover-practicing canlead tostress,bad habits,or injury.To triggerPPI,you needat least100repetitionsof apassage.However,since theserepetitions focuson shortsections playedat speed,they shouldtakeonly afew minutes.If youdont seeimmediateimprovement,dont worry——this maybe normal.Instead,stop practicingonce youvecompleted enoughrepetitions andallow PPIto takeover.Alwayspractice relaxedto avoidingraining stressed motions.PPI variesdependingonwhat limitsyourprogress.Short-term PPIeg,conditioning newmotionsor addressingmemory issuesmay lastdays,while long-term PPIe.g.,nerve growthor musclefiberconversion canspan months.To maximizePPI,avoid mistakeslike playingtoo fastbefore quittingpractice.The lastaction beforestopping shouldbe acorrect,moderate-to-slow performance,as thishas adisproportionatelystrong impacton PPLPPI is analogousto trainingin otherfields.Bodybuilders gainmuscle notduring weightliftingbutafterward,asthebody respondsto stimuli.Similarly,marathon runnersimprove endurancethrough PPIafterinitial runs.Golfers experiencePPI whenpracticing simplertechniques tocorrect swings.Forpianists,PPI isoptimized byfocusing ondifficult segmentsrather thanlong sectionsat varyingspeeds,which confusesthe PPIprocess.PPI primarilyoccurs duringsleep,asthebody repairsand growsduring rest.Poor sleepcanimpair PPLThe idealroutine isto practicein theevening andreview thenext morning.PPIistriggeredby celldeath;intense practiceaccelerates cellreplacement,prompting thebody toovercompensate.Even100repetitions canincrease cellturnover,enhancing PPL

8.What isthe primarypurpose ofthepassageA.To comparePPI inmusic practicewith physicaltraining.B,To explainhow PPIworks andhow tomaximize it.C.To describethe physiologicalchanges duringpractice.D.To argueagainst over-practicing musicalpieces.

9.According tothe passage,why issleep crucialfor PPIA.Because itallows thebody torest afterintense practice.B,Because celldeath duringpractice triggersgrowth duringsleep.C.Because REMsleep specificallyenhances musclememory.D.Because sleepconsolidates immediateimprovement intoPPL

10.What canbe inferredabout practicingat highspeeds beforequittingA.It reinforcescorrect techniqueand maximizesPPLB.It maynegate PPIby ingrainingstressedmotions.C.It isnecessary toachieve long-term PPLD.It helpsconvert slowmuscles intofast ones.

11.What doesthe termdiminishing returns”Paragraph2most likelymeanA.A pointwhere practicebecomes lesseffective.B・A reductionin thenumber ofrepetitions needed.C.A declinein physicalstamina duringpractice.D.A decreasein thetime requiredto mastera piece.Artemisinin,a transformativecompound derivedfrom thesweet wormwoodplant,hasrevolutionized thetreatment ofmalaria.Discovered byChinese scientistTu Youyouinthe1970s,（内过氧化的）artemisinin isa sesquiterpenelactone containinga uniqueendoperoxide bridge,whichis crucialfor its antimalarial activity.Unlike traditional antimalarial drugsthat relyon thermal energy todisruptparasite function,artemisinin harnessesthe powerof itsendoperoxide bridgeto generatereactiveoxygen speciesthat destroythe malariaparasite.The discoveryof artemisininwas inspiredby traditionalChinese medicine,where sweet（）wormwood Artemisiaannua hadbeen usedfor centuriesto treatfever.Through acombination of（色谱法），solvent extractionand chromatographyTu Youyouand herteam successfullyisolatedartemisinin,marking a significant breakthroughinthefight againstmalaria.The compoundsmolecular（倍半菇骨架）structure,which includesasesquiterpene skeletonand anendoperoxide group,was（光谱）confirmed throughspectroscopic analysisand X-ray crystallography.One ofthe mostremarkable aspectsof artemisininis itsmechanism of action.When activatedby（血红素），heme abyproduct ofhemoglobin digestionin malariaparasites,artemisinin generatesfreeradicals thatattack anddamage the parasites cellularstructures.This targetedattack disruptstheparasites membraneand enzymesystems,ultimately leadingto itsdeath.The endoperoxidebridge isessentialfor thisprocess,as alteringthis structural feature eliminatesartemisinins antimalarialactivity.The synthesisof artemisininhas beenasignificantchallenge dueto itscomplex molecularstructure.Traditional methodsinvolve semi-synthesis,where artemisinicacid,extracted fromsweet（合成生物wormwood,is chemicallyconverted intoartemisinin.Recent advancesinsynthetic biology学）have enabledthe productionof artemisinicacid inengineered yeast,significantly reducingproduction costs andincreasing availability.This breakthrough,pioneered byProfessor JayKeaslingsteam,has madeartemisinin-based therapiesmore accessibleto patientsin malaria-endemic regions.Artemisinins impactextends beyondmalaria treatment.Research hasshown thatit exhibitsanticancerproperties,particularly againstcertain typesof cancer cells.The compoundsability togeneratereactive oxygenspecies makesit effectivein damagingcancercellmembranes andinhibitingtumor growth.Additionally,artemisinin derivativesare beingexplored fortheir potentialin treating（系统性红斑狼疮），autoimmune diseasessuch assystemiclupus erythematosusoffering newavenuesfor therapeuticdevelopment.Despite itsremarkable success,challenges remaininthelarge-scale applicationof artemisinin.The emergenceof drug-resistant malariastrains threatensthe long-term effectivenessofartemisinin-based therapies.Ongoing researchfocuses ondeveloping newderivatives andcombinationtherapies toovercome resistanceand ensurethe continuedefficacy ofthis life-saving compound.

12.What isa keystructuralfeatureof artemisininresponsible forits antimalarialactivityA.Its sesquiterpeneskeleton.B.Its endoperoxidebridge.C.Its chromaticproperties.D.Its solubilityin water.

13.How doesartemisinins mechanismofactiondiffer fromtraditionalantimalarialdrugsA.It relieson generatingfree radicals.B・It usesthermalenergyto disruptparasites.C.It targetsthe parasitesDNA directly.D.It increasestheparasitesmetabolic rate.

14.What advancementhas significantlyreduced thecost ofartemisinin productionA.The useof traditionalsolvent extraction.B.The applicationof syntheticbiology inyeast.C.The discoveryof newartemisinin derivatives.D.The developmentof fullysynthetic methods.

15.What challengeis mentionedregarding thelarge-scale applicationof artemisininA.Its limitedavailability innature.B.The emergenceof drug-resistant malariastrains.未知C.Its highproductioncosts.D.Its inabilityto treatautoimmune diseases.Cinematic Perspectives-Decoding FilmLanguagel.The Grammarof CameraMovementA directorschoice ofcamera anglesoperates asvisual rhetoric.Low-angle shotsof crumblingbuildingsin Parasitedont merelyestablish setting——they constructa hierarchyof powerthrough literalperspective.16This techniquereaches itszenith inthe famousstaircase scenewhere thecamerasupward tiltmirrors thecharacters9desperate socialclimbing,embedding subtextin everyframe.ILChromatic StorytellingWesAndersons symmetricalpastel palettestranscend aestheticpreference.In TheGrand BudapestHotel,the shiftfrom1930s vibrantpinks to1960s mutedgrays isntarbitrary colorgrading——its avisualelegy fora dyingera.17Such chromaticcoding allowsaudiences toviscerally experiencetemporaldecay withoutexplicit dialogue.IIL DiegeticSound asNarrative AgentChristopherNolans Dunkirkweaponizes sounddesign.The relentlessticking scoreisnt backgroundmusicbut aphysiological stressinducer,its volumeintentionally exceedingreal-world gunfire.18Thiscreates aclaustrophobic soundscapewhere theabsence ofdialogue becomesthe loudestcharacterdevelopment.IV.Subtextual FramingAlfred HitchcocksRear Windowtransforms windowsintomoral panopticons.The protagonisfstelephoto lensdoesnt justmagnify images——it amplifiesvoyeuristicguilt.19When GraceKellyenters theframe,her positioningbetween verticalblinds castsprison barshadows acrossJimmyStewarts face-asinglecomposition indictingboth observerand observed.V.Temporal ArchitectureNonlinearnaixatives likePulp Fictionrequire mentalmap-making.Tarantinos fragmentedchronologyisnt merestylistic bravado——itsastructural metaphorfor memorysunreliability.20Theiconic dancescene gainstragic ironyprecisely becauseviewers alreadyknow itsparticipants9doomedfutures.A.Similarly,the recurringred coatin SchindlersList functionsnot assymbolism butasacognitiveanchor amidstmonochromatic chaos.B,Consider how the openingof Jawsuses underwaterPOV shotsto transformthe oceanfromplayground topredator.C.The filmsaudio engineersrevealed thatbattlefield screamswere pitch-shifted seagullcries——anauditory uncannyvalley.D.This chromatichistoriography reachesits apotheosiswhen M.Gustaves pink-uniformedcorpse liesinagray morguedrawer.E.Each shatteredwindow inthefinalact reflectsthe protagonist^disintegrating moralcertainty.F.Viewers instinctivelyrecoil whenthe tickingstops,experiencing sensorydeprivation asnarrativeclimax.G.By presentingVincents deathbefore hisintroduction,the filmmakes chronologyitself acharacter.

三、完形填空（套马杆）My journeyof learningthe Chinesefolk songTao Ma Gan beganwith accidentalfascination.While21Mongolian throatsinging videosonline,I stumbledupon agrassland singerspowerfulrendition.The22rhythm andhorse-hoof-like vocalvibrations instantlycaptivated me,thoughI understoodnone ofthe lyrics.The firstchallenge wasphonetic.The line“The horsemanwielding thelasso,you9re mightyand（套马的汉子你威武雄壮）（武）grand^^took weeksto

23.My Spanish-accented Chinesemade“wii（屋）.sound like“wiT Mytutor advised:“Dont justmimic sounds;24the prairiespirit.So Iwatched（套马）documentaries aboutMongolian horsemen,finally graspinghowthe25“tao ma”differs fromwesternrodeos-its notdomination,but harmonious26with nature.（像雄Cultural metaphorsproved tougher.When thesinger describedeyes brightlike eagles”鹰一样明亮），I initiallytookit

27.Later,a Mongolianfriend explained:Eaglessymbolize freedom,but alsoresponsibility——they28protect theirnests.This revelationtransformedmy interpretation.I begansinging notjust withmy voice,but with29movements learnedfrom grasslanddancers.The breakthroughcame duringa campfireperformance inInner Mongolia.When I30sang the（给我一次邂逅在青青的牧场）,climax“Grant mean encounteronthegreen pasture”elderly herderssmiledthrough tearyeyes.Their31taught methat authenticcommunication transcendsperfect tones—its aboutemotional

32.This experiencereshaped mylanguage philosophy.Learning TaoMaGanwasnt about33a song,but bridgingcultural chasms.As theMongolian proverbsays,“A songwithout。